Arts and Entertainment
Renowned Zimbabwean musician Jah Prayzah has issued an apology to fellow artist Kurai Makore following allegations of copying elements of Makore’s 2022 track Kanyarugwe for his newly released song Moto.
The dispute, which sparked public debate, was resolved after legendary Chimurenga musician Thomas Mapfumo stepped in to mediate.
The controversy emerged after fans noted striking similarities between Moto, featured on Jah Prayzah’s 14th studio album Ndini Mukudzeyi, and Makore’s earlier work.
The matter gained traction when Dr. Blessing Ivan Vava, a regional director at the Crisis Coalition in Zimbabwe, publicly raised concerns about potential plagiarism.
In an interview, Thomas Mapfumo revealed he personally intervened to resolve the conflict, emphasizing reconciliation over confrontation.
“Jah Prayzah called me and apologized,” Mapfumo stated.
“We accepted the apology and appreciated his maturity. He explained that someone gave him the beat, and he wasn’t aware it had been used elsewhere. The beat is actually mine, but we have more important matters to focus on.”
Mapfumo, regarded as an elder statesman in Zimbabwean music, stressed the importance of unity in the industry.
“Similar beats happen in music—it’s not uncommon. At my age, I can’t be entangled in petty disputes. We need peace, not war. I’m just glad this issue is resolved,” he added.
Makore, while acknowledging the similarities, clarified that his intent was not to escalate tensions or seek financial gain.
“We didn’t want money or drama—just to highlight how these situations occur in the industry,” he said.
“I respect Jah Prayzah as a star and am grateful my uncle [Mapfumo] helped resolve this amicably.”
Efforts to obtain a comment from Jah Prayzah’s management were unsuccessful at the time of publication.
The resolution underscores a growing emphasis on mentorship and collaboration within Zimbabwe’s music scene, with veterans like Mapfumo advocating for constructive dialogue over public feuds. Makore echoed this sentiment, reaffirming his commitment to focusing on his craft:
“I’m here to make music, not conflict.”
As the dust settles, the incident serves as a reminder of the complexities of creative ownership—and the power of elder guidance in fostering harmony.
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